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They should also distinguish the views of their employees by polling managers separately. In the same way that political leaders should not base decisions solely on public opinion polls, leaders must look at employee surveys as one data point. What people say after a year of sheltering in place may not be meaningful this fall, particularly if by then they’ve had several months of living with fewer restrictions. However, wise CEOs recognize such opinions often change. Much of the current public commentary on this question assumes that after it’s safe to return to the office, many employees will prefer to remain working at home for much of the workweek. Some HR departments treat these surveys as gospel. Many companies have asked workers how many days (if any) they want to spend in the office post-pandemic. Third, don’t put too much stock in data gleaned from employee surveys. Likewise, at this stage, CEOs should ask questions and refrain from making declarative statements for as long as possible. In government, top-level leaders are taught to never reveal their policy preference to military or intelligence advisors too early to avoid influencing the kinds and quality of analysis. Second, in discussing return-to-work options and scenarios, leaders should keep their personal preferences close to the vest. For such big, consequential decisions, one key success factor is to buy time to gather more information and leave options open as long as possible. With uncertainty about what lies ahead, it is important to avoid steps that will either create unrealistic expectations or limit options. We are getting nearer to the end of the pandemic each day, but we are not there yet. While specific answers to such questions depend on the unique situation each leader faces, the guidelines below may help.įirst, wise leaders will resist pressure to define a policy or make final decisions until it’s necessary to do so. Less clear are answers to other types of questions that only the CEO can address because they’re more strategic and fundamental to the nature of the organization, such as: How to handle tasks and decisions which are best done face-to-face even if many employees today say they prefer to work remotely? What will be the longer-term impact on the culture of dividing the work force? When do I have to make these choices? Whom should I listen to, and when? They realize that given all that has happened over the last year, more employees than ever before will work remotely, and for tasks that can be done more efficiently that way, investments in technology are necessary. By mid-summer, a good portion of the working-age population should be vaccinated.īecause of such hopeful signs, CEOs at companies that remain all-remote are starting to think seriously about how and how much to bring their employees back to the office, and how to best answer questions about policies and timelines their boards will soon ask. The population of vaccinated people is growing, and the number of new Covid cases is declining from winter peaks. Nearly a year after the Covid-19 pandemic closed most offices, we’re beginning to see reasons for optimism. Skill Tests are a set of challenges that require you to complete certain tasks before winning a duel. We are hoping to finish beta testing the DuelTek soon. Currently all bots require you to be online because the AI logic is processed on the server. Once the beta testing is complete, DuelTek is going to be the first bot that supports offline mode. Once the beta testing is complete we will publish guides on how to program your own DuelTek decks. DuelTek is unique because its possible for players to program and share their own decks and AI logic. DuelTek is currently in beta testing and as such all decks may not function as intended yet. These decks can be especially difficult to beat due to having anime cards. In addition to offering over 30 unique decks, you can also duel against one of the 4 character simulators. We are continuing to add new decks and improve the Dueling Robot in the upcoming updates. Dueling Robot has dueled over 5 million times in the past few years, we have made a number of improvements using the data we obtained. You can choose between over 30 unique decks. Dueling Robot is currently our best dueling AI. You can use any 4 of those but we recommend you start with the Dueling Robot. You will be greeted with a screen offering you 4 unique single player settings. IPA file so we can install it without needing to upload that to the app store or something.Once you have made your deck, head over to the Duel section and then select Single Player. Infind that the Android app gets updated regularly, so, why not this? At least you can upload a. Is this ever gonna be updated? Wanted to test the decks I use in the PC version only to find out that the banlist is way too outdated and to get "invalid deck" messages everytime because several cards are still not included. It is impossible to playtest with the latest cards without this update. The app is great but the card list is way behind the PC version, any plans to update soon? Enter a formula in cell b10 to return a value of 35000 Overall great job and i know these issues will get resolved within a matter of time. My dev account will get banned if I try gplay again. Most other yugioh apps on gplay are duel calculators. A re-upload on playstore really wouldn't hurt would it? Give playstore another chance? I know there is an Android released on the page how ever I heard it requires a lot of work to get it installed unlike as it was on playstore. It's been a month now, and it's just depressing how one particular deck is left so neglected UA. Like people said before, please please pleeeeeeaaaaaaseeee give us our U. How many weeks has it been already since the new packs came out? YGOPRO The Dawn of a New Era It would really help if you guys talked to your community instead of leaving us in the dark in regards to the updates Inb4 2 months without updates. Its sad because it had 1 million downloads : Any ways good luck. Would you upload it to another markets like MobomarketI am rather worried about its popularity going downhill that is all and not finding any one to duel On Android because of that. Is it possible to donate money to get rid of ads? I would gladly pay some money for it. Yamiomega, are you serious? If you find this offensive, then sorry and probably you are new here. It may have a different name but it still has the same purpose, you can't hide that purpose to Konami supporters or Konami themselves. A few other things to note: - There's no way to right click and cancel an action. A minor issue, but one that's easier to fix. This will probably be a much tougher thing to tackle. At this point that may be difficult, but maybe search for an exact name of a friend playing? A few suggestions to get the ball rolling: - As suggested above, some kind of friend-finder mode. Because they may remove the app like they did in Google Play. Miramax, the studio headed up by Harvey Weinstein at the time, is the first word to appear on the screen. Which is another reason why the film is harder to watch now than it was in 1997. And when they’re your guys, you let them get away with things. None of the forced references or the embarrassing dropped r’s, because these were our guys. None of the logistical and geographical inconsistencies mattered. Near there." I didn’t grow up in the city, but I spent many of my weekends coming here as a teenager, and would move here for the first time that summer, making the Harvard Square of the film the center of my universe, much as it still is today. I even had the stupid swooping blonde undercut. It didn’t hurt that I bore a decent enough resemblance to Damon (trust me on that one). "Get off mothers, I just got off yours." For a couple years after, I eagerly let the film identify me for people I’d meet from around the world in college and elsewhere. "Morgan, yah going," we’d say when it was time for someone to make a beer run. My friends and I quickly incorporated the dialogue into our lexicon, alongside Swingers and The Big Lebowski quoting that passes for conversation among young men in place of emotional openness. When you see yourself being seen for the first time, even if through a filter, it’s a hell of a drug. Especially for a suburban kid who was desperate to begin the part of his life defined by living in Boston. It was a thrill to see that city reflected onscreen for the first time, to have your provincial identity reflected back at you. Let me put it this way: You didn’t hate Boston in 1997. At the time, we were still the underdogs, known, if for anything besides history, for being a hard-scrabble city of lovable losers, defined by the failure of our sports teams rather than the largesse of their victories as we are now. Twenty years ago, “Boston” as a genre of entertainment was a relatively unique idea, Cheers notwithstanding. The coming of age film seemed like a classic. The 1997 Gus Vant Sant film saw Robin Williams earn his only Oscar win and made Matt Damon and Ben Affleck household names (while netting each of them a screenwriting Oscar, too). Under normal circumstances, Good Will Hunting, released 20 years ago this week, would be taking a victory lap. click on below button link to dota 2 free download full pc game. Free Download Dota 2 Offline Installer Windows Free Download Dota 2 Offline Installer Full.Dota 2 free download full pc game. The download link will redirect to the Steam page for DOTA 2. Note: This game requires Steam to download and play. Don't expect the wheel to be reinvented here, but do expect it to function as smoothly as possible.Extremely popular multiplayer online battle arena (MOBA) game. This is one of the true exemplars of the genre and a game that shouldn't be ignored. If you are already attached to a MOBA, though, there's not much new to be found here. If you've never played a MOBA or haven't played since the original Defense of the Ancients, this is the first game you should try. This is as close to reality as a virtual sport is likely to get.ĭOTA 2 is mechanically friendly to new players, even if the community isn't so forgiving. When you can find a game that matches your skill level, though, you can begin to understand why so many people take the game seriously. It's the goal of many who play the game to make their way into these ranks, and a great deal of animus is directed towards anyone who is seen as holding them back. DOTA 2 is a true eSport, one that garners not only millions of viewers but that has a consistent roster of well-known players. The competitive nature of DOTA 2 extends past the players and into the eSports field. It isn't fair, but it's something for which players should be prepared. If you haven't mastered your hero, you can almost certainly expect a certain level of abuse. Unfortunately, the community is also seen as incredibly toxic to new players. If you want to talk about the game, there are people to find at all hours of the day or night. First and foremost, the community is engaged. It's hard to talk about DOTA 2 without talking about the community, which can be seen as both a positive and negative. For those who are truly competitive, though, buying a new Champion is still a relatively inexpensive process. DOTA 2 is a completely free to play game, and you can truly enjoy the game without ever spending a penny - Champions come and go from the free to play roster, and you can typically earn enough to make sure you always have your favorite hero available. Every match follows the same formula, the only real variables coming from the Champions chosen and the skill level of the players. If you've ever played a MOBA, you've already experienced most of what DOTA 2 has to offer. As the sequel to one of the earliest MOBAs, it's got a lot to live up to - and a community that always keeps its developers honest. DOTA 2 isn't the first of these games on the market, but it's definitely got the strongest legacy. The players attempt to be the first to destroy the base of the enemy, usually after lengthy and tactically-involving matches. For those not in the know, the genre is composed of games that pit the player character, the player's human teammates, and a AI army against a foe of equal strength. Release Date: Free Download Dota 2 Offline Installer Free DownloadĭOTA 2 is a multiplayer online battle arena, or MOBA. Graphics: DirectX 9 compatible video card with 128 MB, Shader model 2.0. It can play offline with friends via LAN using 'Source Dedicated Server (srcds)', Hamachi and tunggle.Play (run as admin if your using windows 7 above). I transcribed this while listening to the version of the tune which appears on Shorter's 1988 album of the same name, mainly because it is a clear studio recording and it is played relatively slowly. This is a transcription of the head of the piece "Joy Ryder" by Wayne Shorter. Siempre Junto A Ti (Pepe Delgado) from Jerry Gonzalez & Federico Lechner - A Primera Vista 02 cd and on Jerry Gonzalez & The Fort Apache Band - Obatala 88 cdĪmstel (Federico Lechner) from Jerry Gonzalez & Federico Lechner - A Primera Vista 02 cd The Orange Dove (Conrad Herwig) from Conrad Herwig - Hieroglyphica 01 cdĪmor Casi Imposible (Federico Lechner) from Jerry Gonzalez & Federico Lechner - A Primera Vista 02 cd Thelingus (Joe Ford, McCoy Tyner's saxophinst) from Jerry Gonzalez & The Fort Apache Band - Crossroads 94 cdĮarthlings (Joe Ford, McCoy Tyner's saxophonist) from Larry Willis "Heavy Blue" 90 cd Hopefully someone on this forum will like them enough to crack the chords.cheers:Ĭhildren of Harlem (Larry Willis) from Gary Bartz's "Episode One Children Of Harlem" 94 cdīallad For Frederick (Larry Willis) from Larry Willis "Heavy Blue" 90 cd The ones below are all real classy ones, for which no transcriptions/sheets exist. Hope its ok to list a few transcription "wants". "The Tonality of Atonement" by Kenny Kirkland Plus he did some great albums under his own name.įrom Charles' "Keeper of the Spirit" cd 05 (on YT)įrom Charles' "Live at Zanzibar Blue" 02 cd (on YT):įrom Charles' "The Proper Angle" 92 cd (on YT)Īttach a sheet for Charles' "Dolores Carla Maria" comp (which was included for free with his "Proper Angle" 91 cd). Charles was a bassist from PA that played with Art Blakey's Jazz Messengers, McCoy Tyner and Jerry Gonzalez's Fort Apache Band. They're definately worth doing (but the chords are hard to nail down). Hardly any of the late Charles Fambrough's excellent compositions have been transcribed. This post contains the following attachment types: The "swing"/"balanço" feel Florin Niculescu (violin), Babik & Romane get on "Cheyenne" is fantastic. There's only ever been one recording of "Cheyenne" on a 98 album: If anyone fancies having a go, please do! Or even doing a more "normal" lead-sheet job on it. The solos from "Cheyenne" need transcribing, but that's beyond me. (its original comps though - not "standards") Worth checking out Babik's "Sinti Houn Brazil" 73 album for starters: There's a long affinity between Manouche and Brazilian music (at least as far as Manouche musicians doing nice arrangements of the Bossa standards). His chords/feel is more ethereal than a lot of the other Manouche guitar maestros. Babik could be called the Pat Metheny of Manouche/Sinti Jazz. One of the very best compositions in this genre (to be ranked alongside the much better known "Bossa Dorado" by Dorado Schmitt). This is a phenominal Gypsy Bossa Nova by Django Reinhardt's second son, Babik. "Cheyenne" Babik Reinhardt (Manouche Bossa Nova) Only ever recorded once in 2001 by Quarteto Maogani (Brazil's premier Guitar Quartet, who do stunning arrangements in their own right) - see: Surpisingly no formal sheets were ever prepared for it. To work out the chords for this took a lot of skill. A young Brazilian pianist, Felipe Montanaro, transcribed it and he did an excellent job. Hermeto is actually the unrivalled master of this type of ethereal Choro composition, but Itiberê, Nenê and Guinga (as the most obvious examples) have also written great things in this style as well. It follows in what might be called the Hermeto tradition (but that's not to imply it's derivative in any way it's uniquely Itiberê's). Not a "Jazz" composition, but harmonically it should appeal to Jazz musicians. It's a wistful, ethereal Choro-Lento with sublime harmonies. Personally my favourite composition of his. An exceptional composition by Hermeto's bassist Itiberê Zwarg (written originally for Itiberê's ex-wife). Hacker job requirements and qualificationsīe sure to include any requirements and qualifications your looking for in a hacker.
Allows you to customize your profile by editing icons, avatars, etc.п. In Challenges you will need to complete 10 unique tasks for each hero. Training gives you the opportunity to learn your characters by mastering their techniques. A training session by Rose Bernstein is available. Fighter King 13 lets you play in Ranked Match, Friendly Match, Missions, Time Attack, Challenges, and Survival modes. The decisions and results of the fights affect the overall course of the story. Here you will have to take part in an important tournament. The storyline is called Saga of the Ashes. All the heroes in The King Of Fighters 13 have different attacks, can block your opponents, can make grapples and can deal super-strikes. Each character is represented by an indi vidual style. By creating a group of three unique fighters, you can confront other players. Free networking allows you to fight in duels and take part in team fights 3 on 3. The storyline directly continues the plot of Game 11 and completes Ash Crimson's story. The 13th part of the series has improved the balance, removed the least interesting modes, added new competitions, online play and a lot of additional fighters. All multiplayer modes are free to play on the pirate version. The King Of Fighters 13 - A dynamic fighting game aimed at battles with a friend or random players over the internet online. Updating weekly.Įasily convert video to MP4 format. Add stylish animated stickers and emojis, quote stickers etc. Add text for your videos, many fonts for the text editing.Ģ. Crop watermark or any unwanted part of the video.ġ. Powerful vertical video editor for Instagram, IGTV, YouTube, Musical.ly, Facebook, Twitter, Tik Tok etc.Ģ. Fast/Slow motion video maker and free video trimmer app.Īdd slow motion to your video for special moments.ġ. Adjust music volume and music fade in/out option.Īdjust video speed with video filters and video effects. 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InShot - Featured by Google Play, top movie maker and HD video editor with music, helps you create video with ease, edit video for YouTube, Instagram, IGTV, Facebook, Messenger, Musical.ly, Tik Tok, Twitter etc. Top Video Editor and Photo Editor App on Google Play, average 4.7 ratings! Best FREE HD Video Editor and Video Maker with blur background and no crop, adding music and video effects! There's no need to remind viewers that House of Cards is on the air every Thursday, because the entire season was presented all at once. TV-based channels may spend up to $40 million per season just to promote their weekly episodes, and it's a never-ending fight for attentive eyeballs where you can never take a break.īy contrast, Netflix lets word of mouth and random walks around its user interface do most of the marketing work. Maybe Amazon isn't out to kill Netflix at any cost after all.īut wait - there's this hidden discount, too Finally, Micelli said Netflix saves a ton of money by taking a new approach to marketing. But Amazon seems to be taking the opposite route, carving out a lower-end niche in sitcoms priced at $1 million per episode. The online giant could theoretically outspend Netflix in every way, given its $11 billion in cash reserves and $1.2 billion of annual free cash flows. The agent even put Netflix budgets into context with the original shows ( NASDAQ:AMZN) is doing. That lengthy exclusivity doesn't come cheap. After that, production partners can turn around and syndicate the shows to premium cable channels, standard broadcast networks, and other outlets. This structure typically gives Netflix four years of exclusive distribution rights, the world over. Smaller studios handle the other current titles. Netflix provides the budget Lionsgate pockets a profit and provides the show-making expertise. Lionsgate ( NYSE:LGF-A) develops and films Orange, for example. Netflix pays for the production but actually outsources the real work to companies that already know how to do it. Micelli also noted that a significant chunk of these costs would account for global licensing rights. That show is a huge selling point when Time Warner ( NYSE:TWX) peddles its premium HBO service and has collected eight Emmy Awards in just two seasons. HBO flagship Game of Thrones reportedly plays in the same budget ZIP code. Micelli reminded his audience - about 500 entertainment lawyers at a symposium hosted by UCLA - that the costs are much higher than your regular, run-of-the-mill hour of serialized TV drama. If this agent is anywhere near the real figures, Netflix is spending way more on these shows that analysts and pundits have been assuming so far. And all three of the shows he discussed broadly match the oft-guessed figures for House of Cards. House of Cards was supposed to be the big-ticket title at roughly $100 million for two seasons, but Micelli's figure is at least 20% higher. Isn't that a bit high, though? These figures are a bit higher than the rumors you've seen elsewhere. Whoa, doggie! Will production costs eat Netflix alive? That's why I think Micelli should have a better view of Netflix's production budgets than most of us mere mortals. Moreover, CAA knows plenty about the television industry, managing big names such as David Letterman and Ryan Seacrest when it isn't busy launching the Oprah Winfrey Network or hit shows such as House and American Idol. CAA is one of the "big four" talent agencies, and even though Netflix seems to have chosen actors from other agencies in most cases, you can safely assume that CAA sat at every show's negotiating table.Īgents certainly have a clue what the going rate for acting services is, and you can't consider a 13-episode role without knowing something about the production values surrounding the cast as well. These are not hard numbers straight from the source, but Micelli's estimates presumably based on discussions with Netflix and other stakeholders. The numbers, please Here's the cost per show, according to Creative Artists Agency agent Peter Micelli, by way of a report in Variety : And the company isn't skimping on budgets: The "cheapest" show on deck would be prison dramedy Orange Is the New Black, which costs about $3.8 million per episode. But third parties are spilling the beans.Ī self-described "super agent" at a major Hollywood talent agency just provided detailed estimates on what Netflix pays per episode of this year's new in-house shows. We Fools may not all hold the same opinions, but we all believe that considering a diverse range of insights makes us better investors.įollow Anders on Twitter, LinkedIn, and Google+.įollow ( NASDAQ:NFLX) is notoriously tight-lipped when it comes to the costs of producing fresh content for its own exclusive use. Believes in coyotes and time as an abstract. Contains six flavors not found in nature. He has been an official Fool since 2006 but a jester all his life. Where the two markets intersect, you'll find his wheelhouse. Anders Bylund is a Foolish Technology and Entertainment Specialist. |
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